A flower girl at a wedding, Conn. 1964
About this artwork
“I want to photograph the considerable ceremonies of our present” was the opening line of Arbus’s application for a Guggenheim grant in 1963, for a project titled ‘American Rites, Manners and Customs’. She ended the proposal with the statement: “These are our symptoms and our monuments. I want simply to save them, for what is ceremonious and curious and commonplace will be legendary”. Given this intention, it is perhaps surprising that Arbus did not make more photographs of one of the most common ceremonies – weddings. Here a young flower girl dressed in white stares intensely at the camera, a striking figure in front of a misty backdrop. Arbus creates a mysterious image that seems unreal – an ordinary flower girl appears more like a character from a fairytale or a ghost story.
Updated before 2020
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artist:Diane Arbus (1923 - 1971) American
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title:A flower girl at a wedding, Conn. 1964
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date created:1964; printed after 1971
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materials:Gelatin silver print on paper
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measurements:36.60 x 37.50 cm (framed: 61.80 x 62.00 x 1.80 cm)
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object type:
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credit line:ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and Art Fund, 2008
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accession number:AR00531
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gallery:
Diane Arbus
Diane Arbus
Diane Arbus is one of the most influential photographers of the twentieth century. Born in New York City, she was working as a fashion photographer before she began to pursue an artistic career. Arbus made portraits of people from across society, but is best known for her powerful images of people...