
GIF it a go!
Free GIF making guides to download. Learn a new skill. Have a go at mixing up artworks and bringing them to life.
Explore the visual symbols and language used by LGBTQ+ artists and communities to suggest hidden identities. Oscar Wilde and his circle famously wore a green carnation as a signifier of their identities. These flowers are just one example of the many visual symbols throughout history, which hinted at secret sexualities and identities that had been hidden. So what other coded symbols can we find in the history of queer art? How did today's artist reference and re-use them? And how have hidden symbols transitioned to a wider and more expressive queer visual language?
Art, it turns out, is filled with love and heartbreak. The artistic process itself, most readily available to the artist, is often the means by which they deal with romantic turmoil. But why do they do it? Why expose oneself so fully to potential trauma? Let's take a look at the ways that artists have dealt with love over the years, in all, its ecstatic, often messy forms.
Free your mind and make your own art with us.
Free GIF making guides to download. Learn a new skill. Have a go at mixing up artworks and bringing them to life.
Art activities to try, wherever you are and with whatever you have around you. Free art learning resources for all.
Spending time outside in nature is great for our wellbeing. Making art and being creative is fun and relaxing – so why not combine both?
This collection presents some of the works acquired in recent years, including painting, works on paper and photography.
In this collection, you can explore a selection of highlights from our collection of Scottish art.
The National Galleries of Scotland has over 96,000 objects in its collection. We have selected just a few of these for you to enjoy.
This unique collection of Scottish photography represents Scottish life and identity from the 1840s through the 1940s – a century of dramatic transformation and innovation.
As part of our commitment to equality, we are undertaking a review of the national art collection in relation to colonialism, slavery and their legacies. New content, in gallery and online, is being developed over the coming months in light of this research and will remain an ongoing project. If you see content that you think should be reviewed as part of this work, please email us. All suggestions will be considered. We are currently unable to give a timescale for when any agreed changes will be made but we will do it as soon as we can.