About this artwork
Bellany only began to experiment with printmaking when he started teaching at Winchester College of Art, in 1969. Norman Ackroyd, who taught printmaking at the college and shared a studio with Bellany, noted: “He was an obvious etcher because there was so much drawing in his painting... he is a very spontaneous painter and etching is a spontaneous medium”. This is one of a series of prints Bellany made in 1970, when he was beginning to explore the potential of etching. Here Bellany reflects on his Calvinist demonology. John Knox, the leader of the Protestant Reformation, lies on his death bed as skeletal figures of death emerge from the darkness behind. The intense shadow cast by Knox implies a strong light, as if he is about to pass to the other side.
Updated before 2020
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artist:John Bellany (1942 - 2013) Scottish
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title:Death Knell for John Knox
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date created:Dated 1971
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materials:Etching on paper (4/50)
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measurements:20.80 x 17.80 cm (paper 41.60 x 34.60 cm)
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object type:
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credit line:Purchased 1986
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accession number:GMA 2993
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gallery:
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subject:
John Bellany
John Bellany
Bellany was born in the fishing village of Port Seton, near Edinburgh. He studied at Edinburgh College of Art and at the Royal College of Art, London. His work of the 1960s and 1970s dealt with original sin, guilt, sex and death. His characteristic paintings are large compositions featuring his own...