![Weisse Tänzerin in Kleinem Variété [White Dancer in a Cabaret]](http://www.nationalgalleries.org/media/15/collection/GMA 2924.jpg)
![La Jalousie II [Blind Jealousy II]](http://www.nationalgalleries.org/media/15/collection/GMA 2832.jpg)
Ernst Ludwig Kirchner
Weisse Tänzerin in Kleinem Variété [White Dancer in a Cabaret]
1914The world of cabaret bars was part of the fascination of modern urban life for Kirchner. In this rare print (only one other copy is known), the relationship between the scantily-clad female performer and the male audience is shockingly close. She appears to be dancing on a stage or table right in front of them; their hats and coats are hung up to the right.
The rough, angular style and vigour of Kirchner's graphic technique complements the frenetic nature of the dance performed. This perfect match between style and subject, both of which were highly modern for their time and not to everyone's taste, helps to explain why the print was confiscated by the Nazis as ‘degenerate art' in 1937.
- Glossary (3 terms)
- Open
Expressionism
A style that made an impact in the arts in the 1920s, particularly in Germany. Expressionists deliberately abandoned realistic representation techniques in favour of exaggerations and distortions of line and colour that were intended to carry far greater emotional impact.
Lithograph
A printmaking technique using a stone or zinc plate to which the image is applied with a greasy material. After wetting the plate, greasy ink is applied. The ink sticks only to the drawn image and not the wet surface, thus creating a reproduction when applied to paper.
An image pressed or stamped onto paper or fabric. This encompasses a wide variety of techniques, usually produced in multiples, although one-off prints, known as monoprints, are also included. The term is also applied to photographic images.
- Glossary (6 terms)
- Open
Brücke, Die (The Bridge)
German Expressionist group that was based in Dresden, then Berlin, from 1903 to 1913. The name indicates a forward-looking approach, their art viewed as a bridge to the future. They are noted for their revival of the woodcut.
Degenerate 'Art'
Or Entartete Kunst. Term coined in the 1930s by the Nazis in Germany to ridicule modern art that didn't fit with Hitler's vision. Exhibitions of such works confiscated from German museums were staged and German artists branded with the term were banned from exhibiting their work.
Etching
A form of printmaking in which a metal plate is covered with a substance called a 'ground', usually wax, into which an image is drawn with a needle. Acid is applied, eroding the areas of the plate exposed but not the areas covered by wax. The action of the acid creates lines in the metal plate that hold the ink from which a print is made when the plate is pressed against paper under pressure.
Expressionism
A style that made an impact in the arts in the 1920s, particularly in Germany. Expressionists deliberately abandoned realistic representation techniques in favour of exaggerations and distortions of line and colour that were intended to carry far greater emotional impact.
Lithograph
A printmaking technique using a stone or zinc plate to which the image is applied with a greasy material. After wetting the plate, greasy ink is applied. The ink sticks only to the drawn image and not the wet surface, thus creating a reproduction when applied to paper.
Woodcut
A print made from an image carved into a block of wood cut along the grain. Blank areas are cut away leaving an image in relief from which a print is made.
- Credits Purchased 1984
- Medium Lithograph on paper
- Size 59.60 x 50.40 cm (paper 65.20 x 50.40 cm)
