"Paterson's work is brilliantly thoughtful, not just within its own context, but also the imaginative journey it takes the open-minded viewer on, into an appreciation of their place within the universe."
“Katie Paterson grapples with some of the biggest ideas in cosmology and deep time and offers up work which makes them more understandable, whether that’s on a beach or in a gallery”
In the first major showing of the artist’s work in a public institution in Scotland, the sixth and final exhibition in the NOW series highlights the work of Scottish artist Katie Paterson (b.1981). Born in Glasgow, and a graduate of Edinburgh College of Art and Slade School of Fine Art, London, Paterson is considered one of the leading artists of her generation. Her works are the result of long periods of research and involve collaboration with specialists in scientific and other fields in order to translate complex ideas into physical, often poetic works of art.
NOW delves into the theme of time. Paterson’s work explores deep time, the cosmos, and the place of humans in relation to these phenomena – ideas that have been central to the artist’s work for more than a decade. Among the works featured is Paterson’s mesmerising installation Totality (2016), a large - scale mirror ball created from almost all known images of solar eclipses captured by humankind, and Light Bulb to Simulate Moonlight (2008), held in National Galleries of Scotland’s collection. Also exploring the theme of time as part of NOW are artists Darren Almond, Shona Macnaughton and Lucy Raven.
Darren Almond is a British Artist who was shortlisted for the Turner Prize in 2005. NOW will focus on his evocative series Fullmoon, a collection of long exposure photographs made by the light of the full moon. Time is a central aspect of the creation and subject of these ethereal works. Shona Macnaughton is an artist based in Glasgow whose work Progressive 2017 brings together a script, photographic documentation and props from a performance made by the artist in the east end of Glasgow in 2017. Performed when she was nine-months pregnant, the work responded to the politics of change embedded in regeneration projects, as well as the changing nature of the pregnant body. Lucy Raven is an American artist whose work focuses on animation and moving image, incorporating multiple disciplines including still photography, installation, sound and performative lecture. In her short video work The Deccan Trap, 2015, Raven animates collaged photographic images to explore image-making through time.
The NOW programme is being made possible thanks to the support of the NGS Foundation, Kent and Vicki Logan, Walter Scott and Partners Limited, Robert and Nicky Wilson, Boris Yeung and Amy Ng, and other donors who wish to remain anonymous. Katie Paterson’s presentation is generously supported by the Katie Paterson Exhibition Circle (Robert Devereux, Geoff Ainsworth and Johanna Featherstone, Francis H Williams, Alistair and Susan Duff, Anthony and Jean Harrison and Chris O’Hare), and Ingleby Gallery.
Image: Katie Paterson, Totality, 2016. Photo © Ben Blackall, 2016 Courtesy of the Lowry.
The Changing Places toilet is located in the rear car park of Modern One with accessible parking spaces located nearby. The unit is open 9am-5pm, every day, a key is not required.
The Scottish National Gallery of Modern Art is located 15 minutes’ walk from Princes Street. It includes two buildings, Modern One and Modern Two, set in a beautiful sculpture park.
In addition to the transport options below there are bike racks at each site and Just Eat Cycle Hire stations nearby.
The Ecological Eye: Assembling an Ecocritical Art History
Tue 4 Feb 2020
12:45 - 1:30pm
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