The third year long display in the ARTIST ROOMS gallery at Tate Modern is the American neo-conceptual artist, Jenny Holzer.
American artist Jenny Holzer presents statements that can provoke strong responses. Whether encountered on city streets or in art galleries, Jenny Holzer's work asks us to consider the words and messages that surround us. Her art takes many forms, including stone benches, projections, signs, posters, paintings, plaques and textiles. Words are central to her work, whether pasted on a wall, flickering from an electronic sign, carved in granite or stitched in wool.
Early in her career, Holzer delivered messages on posters and T-shirts so they would be seen in everyday places rather than in museums and galleries. Her work addresses the information overload and multiple perspectives we read daily. Eye-catching or quiet and lyrical, Holzer's art invites us to read and interpret for ourselves.
Her texts can be forceful and apparently simple, but may contradict one another. They are not necessarily straightforward expressions of the artist’s views. Truisms, Holzer’s first text series, is a survey of belief.
I wanted a lot simultaneously: to leave art outside for the public, to be a painter of mysterious yet ordered works, to be explicit but not didactic, to find the right subjects, to transform spaces, to disorient and transfix people, to offer up beauty, to be funny and never lie.
Image: Jenny Holzer, BLUE PURPLE TILT (2007), ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008, © Jenny Holzer. ARS, NY and DACS, London 2018
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