About this artwork
‘When a city is built over the years, it becomes a collage in time and space... New York City is the world’s greatest collage.’ – Louise Nevelson.
Louise Nevelson lived in New York City for decades and it had an enormous impact on her life’s work. She would scour the city’s streets, derelict homes and shopfronts for junk and remnants – usually favouring wooden materials like salvaged furniture, as well as cardboard and paper remnants. Her collages retain the varying tones and textures of their scavenged materials. In this work, Nevelson flattens different elements onto a wooden base, cutting, pasting and securing them with wire.
Published September 2022
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artist:Louise NevelsonAmerican (1899 - 1988)
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title:Untitled
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date created:Dated 1974
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materials:Painted card, wood and wire assemblage, on card
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measurements:103.00 x 82.00 cm
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object type:
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credit line:Presented by Mme Andree Stassart 1984
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accession number:GMA 2827
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gallery:
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glossary:
Louise Nevelson
Louise Nevelson
Nevelson was born in Kiev in 1899. The family moved to America five years later and settled in Maine. Her father worked in a lumber yard where the young Louise made her first sculptures. She moved to New York in 1920, where she lived for the rest of her life. Influenced partly by Surrealism, partly...