About this artwork
Like that of a number of the Glasgow Boys artists, Lavery's painting style underwent a transformation, when he turned from the broken, square brushwork of his early pictures to a smoother and more fluid application of paint, inspired by the example of Whistler. Since the publication in the early nineteenth century of Walter Scott's poem, The Lady of the Lake, Loch Katrine had become a major tourist attraction. Lavery acknowledges this, and gives human scale to the idyllic natural setting by his inclusion of the tiny foreground figure (possibly Lavery's wife) sketching the view.
Updated before 2020
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artist:
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title:Loch Katrine
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date created:1913
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materials:Oil on canvas
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measurements:63.20 x 76.20 cm; Framed: 88.40 x 101.30 x 8.50 cm
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object type:
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credit line:Presented by Mrs Annie Dunlop from the estate of George B Dunlop 1951
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accession number:NG 2135
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gallery:
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artwork photographed by:Antonia Reeve
Sir John Lavery
Sir John Lavery
Lavery rose to prominence as a painter of society portraits and contemporary scenes during the Glasgow International Exhibition of 1888. His determination to paint led him from his native Ireland to Glasgow where he tinted photographs to finance his art classes. He studied in London and Paris,...