About this artwork
Bellany made a series of prints on the theme of the kiss. Here, the sexual content is explicit with the two figures apparently in bed, mouths wide open with their tongues merging into one. The spotted headscarf of the figure on the right suggests that the man is Bellany (as he appears in two self-portraits wearing the scarf). The image directly relates to Bellany’s Calvinist upbringing and notions of sex and guilt. Bellany only began to experiment with etching when he started teaching at Winchester College of Art. This is one of the first of a series of etchings he made in 1970. The spontaneous and lively line of the etching highlights how accomplished a draughtsman Bellany was.
Updated before 2020
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artist:John Bellany (1942 - 2013) Scottish
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title:Untitled (The Kiss)
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date created:Dated 1972
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materials:Etching on paper (10/30)
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measurements:29.10 x 29.00 cm (paper 65.00 x 50.00 cm)
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object type:
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credit line:Purchased 1986
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accession number:GMA 2996
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gallery:
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subject:
John Bellany
John Bellany
Bellany was born in the fishing village of Port Seton, near Edinburgh. He studied at Edinburgh College of Art and at the Royal College of Art, London. His work of the 1960s and 1970s dealt with original sin, guilt, sex and death. His characteristic paintings are large compositions featuring his own...