Santa Maria della Salute, Venice
About this artwork
In 1910 Cadell went to Venice. The strong light, reflections off the rippling canals and vivid colours of the Adriatic port keyed up Cadell’s existing impressionistic tendencies to a new pitch. It was in Venice that Cadell became a colourist. This is a view of the famous Venetian church of Santa Maria della Salute, which is situated near the south-eastern end of the Grand Canal, looking west along the Fondamenta Salute. The church, one of the largest in Venice, was built to commemorate Venice’s deliverance from the plague. Cadell’s painting shows the church and foreground in shadow, set against a vivid blue sky. A triangle of bright sunlight can be seen hitting the church steps, not far from the centre of the composition.
Updated before 2020
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artist:Francis Campbell Boileau CadellScottish (1883 - 1937)
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title:Santa Maria della Salute, Venice
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date created:1910
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materials:Oil on board
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measurements:43.50 x 35.50 cm; Framed: 64.00 x 56.50 x 7.60 cm
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object type:
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credit line:Presented in 2014 in honour of Sir Patrick Ford (1880-1945), who supported Cadell’s visit to Venice in 1910.
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accession number:GMA 5517
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artwork photographed by:Antonia Reeve
Francis Campbell Boileau Cadell
Francis Campbell Boileau Cadell
Cadell studied in Paris and lived in Munich before settling in his native Edinburgh around 1909. Cadell's pre-war work is influenced by the Impressionists. From around 1920, his work became brighter and bolder. Shadows were suppressed to such an extent that the paintings of this period are...