This work is perhaps one of Creed's most controversial pieces. It is a multi-part video work, shown on four television monitors stacked to form a cube. Each screen shows a person in an entirely white environment, removing any sense of familiarity, association or comfort. Against this sterile emptiness, a single person on each screen vomits profusely and repeatedly. It is one of a number of works in which Creed depicts people vomiting, defecating or having sex. Such films force the viewer to see themselves as a human being without any veiling of basic bodily functions; functions that we all have and undeniably serve a purpose. Creed wishes to celebrate the banality of such bodily experiences and in removing any reference to personal environment we invariably bring our own associations to the images.