HIStory of the Never-Used Ajaokuta Steel Plant 2002, from the series 'Masquerade: Nigerian Hits Michael Jackson'
About this artwork
In 2001, whilst travelling in Nigeria, Logan came across a Michael Jackson performer in a Kaduna nightclub. Struck by the audience’s response to the performance, he resolved to make an extended photo essay about the figure of Jackson as he travelled. ‘Masquerade’ is a biting satire about society and politics in postcolonial Nigeria. It draws on Nigerian popular culture and traditional spiritual forms to articulate a critique of contemporary globalisation aimed at African audiences. Using digital montage techniques, we see Jackson turned to stone in front of Ajaokuta steel plant which was plagued with allegations of bribery and corruption. Both singer’s statue and steel plant can be seen as controversial monuments to scandalous pasts.
Updated before 2020
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artist:Owen Logan (born 1963) Scottish
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title:HIStory of the Never-Used Ajaokuta Steel Plant 2002, from the series 'Masquerade: Nigerian Hits Michael Jackson'
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date created:2002
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materials:Gelatin silver print
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measurements:30.20 x 40.30 cm
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object type:
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credit line:Purchased 2006
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accession number:PGP 61.52
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gallery:
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subject:
Owen Logan
Owen Logan
Owen Logan was born in Edinburgh in 1963. He has worked as a freelance photographer since 1979. His work has been largely about documenting other cultures. In 1983 he began a series of pictures of the Sikh community both in Britain and abroad. His projects have concentrated on life in Morocco,...