This drawing reflects Burra’s delight in the cabarets, bars and nightspots he frequented in Paris and Toulon. Specifically, it relates to the ‘folies’ – the extravagant music-halls of Paris which Burra visited regularly in 1929. The dancers at these ‘folies’ wore cut-away dresses and regularly flaunted naked torsos as they danced with high kicks: much like Burra’s central figure who is framed in the spotlight. Typical of Burra’s style of this time, she displays a mask-like face with a large, lipstick smeared mouth. Burra’s desire to capture the sense of movement shows a debt to Vorticism and his deep admiration for the satirical drawings by George Grosz is also evident. There is a drawing of a seated woman on the verso.