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Untitled (Concrete Trees repeat)
© Martin Boyce

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Untitled (Concrete Trees repeat) 2006

Not on display

  • Scottish Art
Boyce’s discovery of a photograph of four concrete trees made by the French artists Joël and Jan Martel in for the famous exhibition of decorative arts held in Paris in 1925 has become the defining point for the future development of his artistic output. He has since gone on to create his own versions of these modernist sculptures, identifiable in his installation based-work. A further derivative of the Martels’ cubist-inspired interpretations of nature is a grid template from which Boyce formed his own modernist typography. These angular letters feature often in his work and allow Boyce to cultivate his interest in language and narrative. This print features this repeated pattern.

Glossary Open


A style of painting originated by Georges Braque and Pablo Picasso in the first two decades of the 20th century. Instead of painting a figure or object from a fixed position they represented it from multiple viewpoints.

Installation art

An art practice developed in the second half of the 20th century that broke away from the view of a sculpture as a singular object to be looked at. Instead, installation artists create an environment that may surround the viewer. Many are temporary or created for a particular location.


A general term used to describe the various movements in art from the late 19th century to the 1960s, encompassing a broad range of styles.


An image pressed or stamped onto paper or fabric. This encompasses a wide variety of techniques, usually produced in multiples, although one-off prints, known as monoprints, are also included. The term is also applied to photographic images.

Cubism , Installation art, Modernism, Print


  • Acc. No. GMA 5011
  • Medium Heliogravure
  • Size Sheet size: 80.00 x 60.50 cm; Plate size: 72.00 x 51.00 cm
  • Credit Purchased 2008