A Dance to the Music of TimeA Dance to the Music of Time The Penny WeddingThe Penny Wedding The Queen of the SwordsThe Queen of the Swords Grande Arabesque, Third Time (First Arabesque Penchée)Grande Arabesque, Third Time (First Arabesque Penchée) Dancers at the Moulin RougeDancers at the Moulin Rouge Dancers at the Moulin RougeDancers at the Moulin Rouge A Group of DancersA Group of Dancers Weisse Tänzerin in Kleinem Variété [White Dancer in a Cabaret]Weisse Tänzerin in Kleinem Variété [White Dancer in a Cabaret] High-SteppersHigh-Steppers Izzy OrtsIzzy Orts La Jalousie II [Blind Jealousy II]La Jalousie II [Blind Jealousy II] Dancing WomanDancing Woman Dance eTour additional worksDance eTour additional works

Walter Richard Sickert


High-Steppers shows the Plaza Tiller Girls, known for their high-kicking long legs, who worked at the Plaza Cinema, near Piccadilly Circus in London. During the 1920s, various dance troupes became affiliated with specific cinemas, the star attraction in what was known as cine-variety - films alternating with live music and performance. Sickert worked directly from a photograph published in the London Evening News, originally a film still recording the Tiller Girls' appearance in the film ‘A Little Bit of Fluff'.

Sickert lived abroad from 1898-1905 and was inspired by his time in Paris, and in particular by his friendship with the French painter Edgar Degas. Degas's talent for creating the effect of spontaneity in paint and his depictions of the modern figure in Paris influenced Sickert who sought to represent his own vision of London and urban life.

  • Credits Purchased 1979
  • Medium Oil on canvas
  • Size 132.00 x 122.50 cm

Tiller Girls

The Tiller girls were renowned for their precise dance routines and high-kicking. Established in 1890, these troupes of female performers danced at high-profile venues including the Folies Bergère in Paris and the London Palladium.