Ron Mueck has become internationally recognised for his unique realist sculptures that replicate the human figure with unrivalled technical skill. The powerful psychological range of Mueck’s sculpture focuses not only on universal experiences of birth, life and death but on emotional states such as isolation, fear and tenderness.
The three works in ARTIST ROOMS represent the scope of Mueck’s approach to the human condition, from the uneasy intimacy of Spooning Couple, the vulnerability of the giant Wild Man, and enigmatic half-smile in Mask III.
He first became widely known for his sculpture Dead Dad shown in the exhibition Sensation in 1997. His use of widely different scales would not be considered strange within the conventions of painting but has a particularly strong effect in this realist sculpture. It is part of the artist’s relationship with his subject and the meaning of the work.