Woodman has carefully balanced a door at an unusual angle across the room, and hidden herself underneath creating an unsettling sense of claustrophobia. This image is from a series of photographs using doors as props, made while a student in New York. Alone and naked, she seems vulnerable, as she undertakes a voyage of personal self-exploration. The unusually placed items and desolate setting in this photograph create a mystical, transcendental quality in the tradition of Surrealism. The precariously placed, heavy object bears an uncanny resemblance to Richard Serra’s sculpture 'Strike (for Roberta and Rudy)' (1969-71).