May 2021 saw the reopening of the Scottish National Portrait Gallery and we marked the occasion by sharing the news that a stunning large-scale portrait of preeminent forensic anthropologist Professor Dame Sue Black, painted by the artist Ken Currie, was arriving into Scotland’s national art collection on a long-term loan from the artist himself.
Currie’s extraordinary portrait is joined in The Modern Portrait by several new acquisitions, all of which we detail below, but we commence with Unknown Man…
Professor Dame Sue Black has dedicated her life to forensic anthropology, including her many years at the Centre for Anatomy and Human Identification at the University of Dundee, assisting police with specialist forensic work, or travelling many war-torn and disaster-hit countries, including Iraq, Kosovo, and Thailand — helping to, in her words, "reunite the identity constructed during a life with what remains of the corporeal form in death”. She now works as Pro-Vice-Chancellor for Engagement at Lancaster University and is the current President of the Royal Anthropological Institute.
Currie’s poignant painting depicts Professor Black in surgical robes, standing behind the covered remains of a clothed cadaver, transfixing viewers with a stare that reflects both strength and fragility in equal measures. It is a stare that moved Professor Black to tears when she viewed the painting for the first time, last week.
The idea for the portrait grew when Currie and Professor Black met during a BBC Radio 4 discussion programme on the relationship between art and anatomy. The artist later accepted an invite to visit Professor Black’s at work in Dundee, where she showed him a dissection room. Currie was so moved by the work he encountered there that he asked Professor Black to sit for a portrait. During the creation process, Currie also took a life mask of Professor Black.
Currie views Unknown Man as being connected to his popular Portrait Gallery commission Three Oncologists; the former representing a progression from his 2002 painting. With both works now on display in The Modern Portrait, visitors now have a very special opportunity to experience both in the same space.
These include David Eustace’s photograph Portrait of Crime Writers, a Galleries 2019 commission which features nine luminaries of Scotland’s Tartan Noir scene — Doug Johnstone, Chris Brookmyre, Marisa Haetzman, Denise Mina, Mandy Scott, M R Mackenzie, Douglas Skelton, Neil Broadfoot and Claire Askew. Eustace captured the crime writers at Stirling Castle during the Bloody Scotland International Crime Writing Festival, which has taken place annually since 2012.
Visitors are also able to enjoy Air and Light, established portrait painter Clae Eastgate’s 2017 portrait of Scottish poet Dame Carol Ann Duffy. The painting was shortlisted for the National Portrait Gallery BP Award and toured the UK in 2017, the year in which Duffy became the UK’s first female Poet Laureate and shows Duffy in dark robes resting on a chair. It was acquired in 2019 and goes on display for the first time.
The percussionist Dame Evelyn Glennie has forged an award-winning career, collaborating with musicians and orchestras around the world, a remarkable achievement considering she has been profoundly deaf since the age of 12 years old. Chris Close’s portrait of Glennie, taken when she appeared at the Edinburgh International Book Festival in 2017, is on display in The Modern Portrait, and we are delighted to welcome it into Scotland’s national collection.