Magritte was born in Belgium and, apart from a few years spent in Paris in the late 1920s, lived there all his life. Unlike many Surrealists, Magritte did not subscribe to the view that the unconscious could be expressed through chance or 'automatic' techniques. Instead, he planned and executed his paintings with all the deliberation and skill of an academic painter. The results are surprisingly credible images of seemingly illogical scenes. Magritte would undermine logic by tampering with scale and by placing unrelated objects in unexpected settings. A constant theme running through his art is the relationship that exists between the painted image and the visible world, between fiction and reality. Magritte's art blurs the boundaries between the two.