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Joan Miró

Spanish

Biography

Born

1893

Died

1983

Nationality

Spanish

Birth Place

Barcelona

Death Place

Palma

Miró was born in Barcelona and moved to Paris in 1920. His early work combined miniaturist detail with a cubist fragmentation of space. In Paris he abandoned this style and began to paint an imaginary world full of strange, insect-like figures and forms, which seemed to float in space. This fantastic sign language, which was partly inspired by images from the artist's unconscious mind, soon became a hallmark of Surrealist art. Although he spent time away from Spain, Miró remained interested in Catalonian folklore throughout his career.

Joan Miró i Ferrà ( mi-ROH, US also mee-ROH; Catalan: [ʒuˈan miˈɾoj fəˈra]; 20 April 1893 – 25 December 1983) was a Catalan Spanish painter, sculptor and ceramist. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró, was established in his adoptive city of Palma in 1981. Earning international acclaim, his work has been interpreted as Surrealism but with a personal style, sometimes also veering into Fauvism and Expressionism. He was notable for his interest in the unconscious or the subconscious mind, reflected in his re-creation of the childlike. His difficult-to-classify works also had a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and declared an "assassination of painting" in favour of upsetting the visual elements of established painting.

ID: 152384

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Miró attended the art school of Francisco Galí for 3 years from 1911, then attended the academy Círculo Artístico de Sant Lluc, until 1918, where he met the potter Josep Llorens Artigas. In 1917, he met Francis Picabia. In 1919, Miró went to Paris, where he settled more permanently from 1920. In Paris, he participated in the Dada movement, renewed his acquaintance with Picasso, who introduced him to Pierre Reverdy, Max Jacob, and Tristan Tzara. In 1924, Miró met André Breton, Louis Aragon, and Paul Éluard, and joined the Surrealist group, whose manifesto he signed. His mature works adhered to a vocabulary of simple shapes and symbols, often described as childlike. Comment on works: abstract

ID: 500014094

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Glossary Terms

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Automatism

A painting, drawing or writing process that aims to suppress rational thought, allowing the subconscious to take control. This spontaneous approach is associated with Surrealism and Abstract Expressionism.

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Surrealism

A literary and artistic movement that sought to challenge conventions through the exploration of the subconscious mind, invoking the power of dreams and elements of chance. It is now regarded as one of the most radical movements of the twentieth century.