Biography
Born
1893
Died
1983
Nationality
Spanish
Birth Place
Barcelona
Death Place
Palma
Joan Miró i Ferrà ( mi-ROH, US also mee-ROH; Catalan: [ʒuˈan miˈɾoj fəˈra]; 20 April 1893 – 25 December 1983) was a Catalan Spanish painter, sculptor and ceramist. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró, was established in his adoptive city of Palma in 1981. Earning international acclaim, his work has been interpreted as Surrealism but with a personal style, sometimes also veering into Fauvism and Expressionism. He was notable for his interest in the unconscious or the subconscious mind, reflected in his re-creation of the childlike. His difficult-to-classify works also had a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and declared an "assassination of painting" in favour of upsetting the visual elements of established painting.
ID: 152384
Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License
Miró attended the art school of Francisco Galí for 3 years from 1911, then attended the academy Círculo Artístico de Sant Lluc, until 1918, where he met the potter Josep Llorens Artigas. In 1917, he met Francis Picabia. In 1919, Miró went to Paris, where he settled more permanently from 1920. In Paris, he participated in the Dada movement, renewed his acquaintance with Picasso, who introduced him to Pierre Reverdy, Max Jacob, and Tristan Tzara. In 1924, Miró met André Breton, Louis Aragon, and Paul Éluard, and joined the Surrealist group, whose manifesto he signed. His mature works adhered to a vocabulary of simple shapes and symbols, often described as childlike. Comment on works: abstract
ID: 500014094
Information from Getty's Union List of Artist Names (ULAN), made available under the ODC Attribution License
Glossary Terms
Automatism
A painting, drawing or writing process that aims to suppress rational thought, allowing the subconscious to take control. This spontaneous approach is associated with Surrealism and Abstract Expressionism.
School of Paris
A loosely affiliated group of artists working in Paris in the early years of the twentieth century up to the Second World War.
Surrealism
A literary and artistic movement that sought to challenge conventions through the exploration of the subconscious mind, invoking the power of dreams and elements of chance. It is now regarded as one of the most radical movements of the twentieth century.