Naturgeschichte [Natural History]
About this artwork
The title given to this object relates it to Max Ernst's 'Histoire Naturelle' (Natural History) portfolio, published in 1926. Ernst used the technique of frottage to create fantastical drawings based on rubbings taken from woodgrain. Beuys has gone directly to the source of Ernst's images by presenting a piece of wood which is beautifully textured and neatly cut into a square. This work shows that Ernst's interest in the potential of the natural world was shared by Beuys. The two German artists also share a 'rebirth' myth, as Ernst claimed to have 'died' at the start of the First World War and been resuscitated in 1918.
Updated before 2020
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artist:Joseph Beuys (1921 - 1986) German
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title:Naturgeschichte [Natural History]
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date created:1964 - 1982
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materials:Household paint, shellac and sand on board
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measurements:33.30 x 36.60 x 3.50 cm
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object type:
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credit line:ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and Art Fund, 2008
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accession number:AR00666
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gallery:
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glossary:
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artwork photographed by:Antonia Reeve
Joseph Beuys
Joseph Beuys
German artist Beuys believed that art was integral to everyday life. According to Beuys his own art was shaped by an experience early in his life. As a Luftwaffe pilot during the war, he claimed that he was shot down over the Crimea and was saved by nomadic Tartars. Barely alive, he was wrapped in...