About this artwork
In this late photograph, Mapplethorpe is no longer playing a role, as he did in so many of his earlier self portraits. It was taken a few months before he died from an AIDS-related illness in 1989. In it he faces straight ahead, as if he were looking death in the face. The skull-headed cane that he holds in his right hand reinforces this reading. Mapplethorpe is wearing black, so that his head floats free, disembodied, as if he were already halfway to death. Mapplethorpe even photographs his head very slightly out of focus (compared with his hand) to suggest his gradual fading away.
- title: Self Portrait
- accession number: AR00496
- artist: Robert MapplethorpeAmerican (1946 - 1989)
- depicted: Robert Mapplethorpe
- gallery: In Storage
- object type: Photograph
- subject: Death Self-portrait
- materials: Photograph, gelatine silver print on paper
- date created: 1988
- measurements: 57.70 x 48.10 cm (framed: 85.00 x 74.70 x 2.20 cm)
- credit line: ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008
- copyright: © Robert Mapplethorpe Foundation.
- photographer: Antonia Reeve
The American photographer Robert Mapplethorpe became famous, not to say, notorious, in the 1970s and 1980s for his photographs of the male nude and sexually explicit, gay imagery. Although often considered controversial, Mapplethorpe tested the right to individual freedom of expression. These images were not meant to be titillating or obscene but beautiful in a traditionally classical way. His work, therefore, holds a significant place in the history of artistic struggle to depict the world as it is, with honesty and truth. His nudes, when considered alongside his portraits of children and flower photographs, show him to be overwhelmingly interested in the beauty and transience of life. Mapplethorpe, even when facing death from AIDS, affirmed the beauty of the here and now.