About this artwork
Botticelli's composition, inspired by the work of Filippo Lippi, is unusual in two respects: canvas paintings were still uncommon at this time and the Christ Child was rarely shown asleep. This variation could be interpreted as a reminder of Christ's death. His future suffering for Mankind may also be symbolised by the detailed plants and fruits. The red strawberries, for example, may refer to Christ's blood. They also complement the beautiful rose bower which forms an 'enclosed garden', a symbol of the Virgin derived from the Old Testament Song of Solomon. The painting was probably designed for a domestic setting.
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Updated before 2020
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artist:Sandro Botticelli (about 1444 - 1510) Italian
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title:The Virgin Adoring the Sleeping Christ Child
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date created:About 1485
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materials:Tempera and gold on canvas
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measurements:122.00 x 80.30 cm; Framed: 188.00 x 133.60 x 21.00 cm / 47.00 kg
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object type:
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credit line:Purchased with the aid of The National Lottery Heritage Fund, Art Fund, the Scottish Executive, the Bank of Scotland, the Royal Bank of Scotland, Sir Tom Farmer, the Dunard Fund, Mr and Mrs Kenneth Woodcock (donation made through the American Friends of the National Galleries of Scotland) and private donations, 1999
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accession number:NG 2709
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artwork photographed by:Antonia Reeve
Sandro Botticelli
Sandro Botticelli
The Florentine painter Botticelli produced some of the most celebrated pictures of the Renaissance. His Primavera ('Spring') and Birth of Venus (both in the Uffizi, Florence) were painted for members of the powerful Medici family. He trained as a goldsmith before joining Filippo Lippi's...