The March to Finchley
About this artwork
In November 1745 the Jacobite army made a dramatic and rapid descent through England. Hogarth’s satire shows the English guards gathering at Tottenham Court Road turnpike, north London, before heading on to Finchley to meet the expected Jacobite threat (which never materialised, the Jacobites retreated from Derby on ‘Black Friday’, 6 December). The central guardsman is torn between the attentions of two lovers, symbolising the choice facing Britons. On his right, the younger pregnant woman has a print of the Duke of Cumberland in her basket; on his left, the older, angry woman is selling newspapers with Jacobite titles. Although Hogarth pokes fun at the soldiers – worse for wear after a drunken night – it is clear where his sympathies lie. In the background, the foreground chaos resolves into ordered columns of marching troops.
Updated before 2020
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artist:Luke Sullivan (about 1725 - 1771) Irish
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title:The March to Finchley
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date created:1750
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after:William Hogarth (1697 - 1764) English
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materials:Etching and engraving on paper
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object type:
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credit line:Transferred from the Scottish National Portrait Gallery
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accession number:P 6886
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gallery:
Luke Sullivan
Luke Sullivan
Sullivan’s drawing abilities were identified at a young age and he was quickly apprenticed to the engraver, Thomas Major. His earliest signed engraving is a depiction of the Battle of Culloden, after Augustin Heckel’s drawing, dated 1746. During the 1750s Sullivan was linked to William Hogarth,...