About this artwork
Hell’s Glen can be found on the way to Lochgoilhead, a small village on the Cowal Peninsula in the west coast of Scotland. The rocks to the left of the bridge are known locally as ‘Moses Well’. The flat planes of colour and curving lines of this woodcut are influenced by Art Deco designs and Japanese prints. The hills in the foreground appear to be dappled with sunlight, which contrasts with the forbidding dark mountain and heavy grey clouds overhead, which give the image an ominous feeling.
- title: Hell's Glen
- accession number: GMA 199
- artist: Ian CheyneScottish (1895 - 1955)
- gallery: Scottish National Gallery Of Modern Art (Modern One)(Print Room)
- object type: Work on paper
- subject: Mountains Perspective
- materials: Colour woodcut on paper (16/20)
- date created: 1928
- measurements: 25.20 x 29.80 cm (paper 28.00 x 32.10 cm)
- credit line: Purchased 1949
- copyright: © The Estate of the Artist
- photographer: Antonia Reeve
Born in Broughty Ferry, Cheyne was educated at Glasgow Academy and studied at Glasgow School of Art. Originally a painter, he began to experiment with woodcuts, and colour woodcuts of Scottish, Spanish and French landscapes became his prime interest. However he continued to produce still lifes and landscapes in oils. In his woodcuts, Cheyne’s use of flat planes and curved forms gives his work an Art Deco feel. Japanese woodcuts were also an influence, particularly their lack of tonal depth and treatment of perspective. Cheyne exhibited regularly at the Royal Scottish Academy from 1920 until the end of his life.