Maquette for Cock
About this artwork
During the 1950s Meadows made a series of bird sculptures. Some were heavily abstracted, with contorted bodies and beaks wide open as though screaming with pain. However, this maquette is lifelike, showing a cockerel pecking the ground as if looking for food. Meadows was not particularly interested in sculpting animals themselves but instead saw them as a vehicle through which he could express his feelings about humanity in the post-war climate: “the crabs, and the birds, and the armed figures, the pointing figures, are all about fear…perhaps not fear, it’s vulnerability”. They also enabled Meadows to develop as a sculptor beyond the influence of Henry Moore (who was known for his sculpted figures) with whom he had a long-lasting friendship.
Updated before 2020
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artist:Bernard Meadows (1915 - 2005) English
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title:Maquette for Cock
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date created:1950
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materials:Bronze with brown patina
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measurements:15.00 cm (height)
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object type:
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credit line:Accepted in lieu of inheritance tax 2011
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accession number:GMA 5163
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gallery:
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subject:
Bernard Meadows
Bernard Meadows
Meadows was part of a new generation of sculptors whose work Herbert Reid defined as belonging to 'the geometry of fear'. He began his studies at Norwich School of Art in 1934 and, whist there, he was introduced to Henry Moore. Meadows became Moore’s studio assistant and it was the beginning of a...