The towering white cliffs dominate the beach at the right. The men in the rowing boat provide human interest and scale. Man's insignificance in the presence of imposing natural structures was a central theme of the Romantic movement in the arts. The dark foreground rocks emphasise the brightness of the chalk faces and this pattern of dark and light is echoed around the sweeping coastline where sky and sea eventually meet. This drawing relates to others the young Turner made while attending Dr Monro's evening 'Academy' in the 1790s.
Joseph Mallord William Turner (English, 1775 - 1851)
Turner transformed the art of landscape painting in Britain. From detailed topographical studies to expansive, atmospheric vistas his works celebrate the diversity and emotive power of nature. He was born in Covent Garden, the son of a barber, and exhibited his earliest sketches in his father's shop before studying at the Royal Academy Schools. Turner became the youngest ever full member of the Royal Academy in 1802. His experimental use of watercolour and oils achieved stunning effects, attracting contemporary criticism and praise. Turner's admiration of past masters, above all Claude Lorraine, and the numerous sketches made on many tours in Britain and abroad, provided the basis for his 'sublime' land and seascapes.
