Still lifes remained a continuous source of inspiration in Nicholson?s oeuvre. This work is an example of the artist?s masterly distillation of the object to a single line, which evokes form and space. It also demonstrates a method of working where the artist would adhere one of his drawings to a primed board. The result bears similarities to his relief works, yet it retains the unique qualities of oil wash and pencil on paper.
Ben Nicholson (English, 1894 - 1982)
Ben Nicholson was the eldest son of the painters William Nicholson and Mabel Pryde. He did not devote himself seriously to art until 1920, the same year he married the artist Winifred Roberts. His early works were simple and traditional still lifes. In 1921 he saw an exhibition of cubist paintings in Paris, which was to influence his style for the rest of the 1920s. Nicholson turned to abstraction in the early 1930s. This was partly due to the influence of Barbara Hepworth, with whom he shared a studio from 1932 and partly due to the impact Piet Mondrian's work made on him in Paris in 1933.