This work is typical of Emin's confrontational and uninhibited style. To make her monoprints, Emin places a sheet of paper, or cloth in this instance, on an inked glass surface and spontaneously scrawls out words and images. This technique produces single, unique prints. The artist is required to draw and write in reverse, making the process awkward. The use of stitching in this work connects it to Emin's large-scale blankets and other appliquéd work. When seem from a distance, her art has a child-like simplicity which belies its raw expression and directness. It has an immediate impact on the viewer.