Venus gently comforts her son Cupid, who is startled by a lively little spaniel. This incidental detail enhances the immediate appeal of the mythological characters. The sensuous goddess of love, swathed in luxurious fabric, rests on Mars' knee. It is thought that the god of war may have been included late on in the design (possibly by an assistant) because only the figures of Venus and Cupid appear in related preparatory drawings (British Museum, London). The very sketchy treatment of Cupid's wings suggests that the painting may have been left unfinished.
Paolo Veronese (Caliari) (Italian, about 1528 - 1588)
Veronese was the leading painter in Venice after Titian and was celebrated for his large decorative works, rich in colour and theatrical in character. He was born Paolo Caliari in Verona and was named 'Veronese' once he settled in Venice. Many of his frescoes and canvases are still in the churches, palaces and villas for which they were commissioned in Venice and the Veneto, the countryside on the mainland. His crowded, detailed compositions are carefully orchestrated to ensure their dramatic impact. They also demonstrate his outstanding skills, especially in complex foreshortening. His brother and three sons assisted in his busy successful workshop.