The figures in Clough?s work are often compressed and heavy. Her treatment of the body was influenced by Cubism, with the figure positioned on the same plane as his surrounding environment. The neutral coloured blocks of the figure are mirrored in the shapes around him, emphasising the flat picture plane. From 1949 to the early 1950s, Clough?s gritty subject matter was heavily dominated by figures in their industrial workplace. She was particularly interested in the relationship between the two, and the more she investigated this theme the less the figure became distinguishable from his mechanised environment.
Prunella Clough (English, 1919 - 1999)
A painter, printmaker and draughtsman, Prunella Clough?s main subject was the urban and industrial landscape of Britain. Clough studied at Chelsea School of Art in London before working as a draughtsman during the Second World War, drawing charts and maps for the War Office. From the late 1940s to 1950s, she drew and painted labourers in her home city of London, as well as depicting fishermen from East Anglia and workers in the industrialised Midlands. Her later work was more varied in colour and scale. Clough viewed her work as landscape, being influenced not only by urban and industrial scenes but also by the materials and colours of industry. In this way, her work treads the line between figuration and abstraction. Clough won the Jerwood Prize in 1999.