Stieglitz was sailing to Europe in 1907 and found the company of other first class passengers unbearable. One day as he was trying to avoid them, he walked to the end of his deck and looked down into the part of the ship which accommodated the poor passengers. He perceived the ordinary men and women as flashes of colour dotted in among the geometric shapes of 'iron machinery'. Moved and fascinated by this sight, he raced to his cabin and returned with his camera to take a picture that to him constituted a step in his 'own evolution'.
Alfred Stieglitz (American, 1864 - 1946)
Alfred Stieglitz's childhood passed in big houses full of musicians, artists and writers who were hosted by his generous and liberal minded parents. His New York gallery 291 was the first in the States to exhibit work by Matisse, Henri Rousseau, Picasso, Braque and Brancusi among others. The magazines he published helped several generations of American artists find a direction in their work. He was a leader of the international Pictorialist group. As a photographer Stieglitz was a passionate yet careful observer who always tried to hit 'the point beyond the centre'; to comprehend the intimate nature of his subjects.