Richard Rogers, the world-famous architect of the Centre Pompidou in Paris, is, like Paolozzi, of Italian descent. His portrait was commissioned by the National Portrait Gallery in London. By combining different facial expressions of the sitter in one single bust, Paolozzi applies principles of collage to the medium of sculpture. The final collaged head has a suitably architectural quality.
Eduardo Paolozzi (Scottish, 1924 - 2005)
Of Italian descent, Paolozzi was born in Leith near Edinburgh. He studied in Edinburgh and London and spent two years in Paris from 1947, where he produced enigmatic, bronze sculptures reminiscent of those by Giacometti. During the same period he made a series of dada and surrealist-inspired collages in which magazine advertisements, cartoons and machine parts are combined, thus anticipating the concerns of Pop Art. Alongside teaching at various art schools he developed his printmaking and sculpture. Paolozzi was particularly interested in the mass media and in science and technology.