Turner used rags and sometimes old bread to sponge and scrape paint off paper to achieve the desired effects of light and mist. Here he conveys the grandeur of the Italian Alpine range in relation to the strategically positioned castle and other buildings in the valley. Although their construction and that of the road which links them and the bridge spanning the river represent a considerable human achievement, they also serve to emphasise the insignificance of man-made structures in comparison to those of nature. This view is based on several sketches made in 1836.
Joseph Mallord William Turner (English, 1775 - 1851)
Turner transformed the art of landscape painting in Britain. From detailed topographical studies to expansive, atmospheric vistas his works celebrate the diversity and emotive power of nature. He was born in Covent Garden, the son of a barber, and exhibited his earliest sketches in his father's shop before studying at the Royal Academy Schools. Turner became the youngest ever full member of the Royal Academy in 1802. His experimental use of watercolour and oils achieved stunning effects, attracting contemporary criticism and praise. Turner's admiration of past masters, above all Claude Lorraine, and the numerous sketches made on many tours in Britain and abroad, provided the basis for his 'sublime' land and seascapes.
