Shifting between abstraction and figuration, the composition of this painting appears to be based around a bull?s skull, with its horns distinctly identifiable towards the top of the canvas. However, geometric forms take over from the figurative to suggest a target, with a black bulls-eye in the centre. The muted colours and purple background also remove any direct association with cattle. For Scheibitz, text and language are important, therefore the title is significant. With `Texas? in mind this work could be seen as an abstract representation of the State?s role as the centre of the U.S. cattle industry and its association with the image of a cowboy. The colour scheme also calls to mind the colours of the American flag.