The decrepit boat house provides a strong architectural accent in this river scene. The tall vertical posts recall classical columns and it may be that studies of classical ruins influenced the choice of composition here. Before joining Monro's 'Academy' Turner had studied with the architectural draughtsman Thomas Malton who specialized in views of London. He also coloured drawings for the architect Thomas Hardwick. The fine pen lines and blue and grey washes which articulate the structure and shadow follow the conventional practice of Monro's students. These included the gifted artist Thomas Girtin for whom Turner had great respect.
Joseph Mallord William Turner (English, 1775 - 1851)
Turner transformed the art of landscape painting in Britain. From detailed topographical studies to expansive, atmospheric vistas his works celebrate the diversity and emotive power of nature. He was born in Covent Garden, the son of a barber, and exhibited his earliest sketches in his father's shop before studying at the Royal Academy Schools. Turner became the youngest ever full member of the Royal Academy in 1802. His experimental use of watercolour and oils achieved stunning effects, attracting contemporary criticism and praise. Turner's admiration of past masters, above all Claude Lorraine, and the numerous sketches made on many tours in Britain and abroad, provided the basis for his 'sublime' land and seascapes.
