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![La Joie de vivre [The Joy of Life]](http://www.nationalgalleries.org/media_collection/6/GMA 3886.jpg)
- © ADAGP, Paris and DACS, London 2006
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![La Joie de vivre [The Joy of Life]](http://www.nationalgalleries.org/media_collection/6/GMA%203886.jpg)
La Joie de vivre [The Joy of Life]
Max Ernst
- © ADAGP, Paris and DACS, London 2006
Max Ernst
La Joie de vivre [The Joy of Life]1936This is one of a number of so-called 'jungle' pictures that Max Ernst painted in the late 1930s. His paintings of forests and tangled undergrowth derive from the rich Romantic heritage in German art. They also symbolise the fears and suppressed desires of the human mind. Looking at the picture more closely, the title becomes bitterly ironic. This jungle is actually ordinary undergrowth grown to enormous proportions, dwarfing a sculpture of a woman and animal living together in harmony. Instead of a paradise, the scene is a nightmarish one in which giant praying mantises do battle with other monsters in the entangled undergrowth.
Glossary Open
Romanticism
A movement in art, literature and music in the 18th and 19th centuries that rejected neoclassical restraint in favour of emotion and individual expression.
Details
- Accession no. GMA 3886
- Medium Oil on canvas
- Size 73.50 x 92.50 cm (framed: 108.60 x 89.50 x 7.60 cm)
- Credit Purchased with the assistance of the Heritage Lottery Fund and The Art Fund 1995
Max Ernst (German / American / French, 1891 - 1976)
German-French painter Ernst was born near Cologne in Germany. After studying philosophy at university he turned his attention to art, and became the leader of the Cologne Dada group in 1919. He moved to Paris in 1922 to work with the Surrealists, adapting the techniques of collage and photomontage for use by the group. He worked in a range of media throughout his artistic career, producing work that was irregular, experimental and highly imaginative. The Gallery has an excellent collection of his work, including eleven paintings and collages as well as drawings, prints and illustrated books.
Glossary Open
Collage
An image constructed from found materials, such as photographs, paper or fabric, glued to a surface, sometimes with additional painted or drawn elements. It is an art form particularly associated with Dada and Surrealism.
Dada
A radical artistic and literary movement that was a reaction against the cultural climate that supported the First World War. The Dadaists took an anti-establishment attitude, questioning art's status and favouring performance and collage over traditional art techniques. Many Dadaists went on to become involved with Surrealism.
Photomontage
The combination of two or more photographs (or pieces of them) to form a single image.
An image pressed or stamped onto paper or fabric. This encompasses a wide variety of techniques, usually produced in multiples, although one-off prints, known as monoprints, are also included. The term is also applied to photographic images.
Surrealism
A literary and artistic movement founded by the poet André Breton in 1924. Many of the associated artists, such as Max Ernst and Jean Arp, had previously been involved with Dadaism. The movement sought to challenge conventions through the exploration of the subconscious mind, invoking the power of dreams and elements of chance. Cultural hierarchies were challenged by the combination of diverse elements in collages and sculptural assemblages. The movement is also notable for the collaborations between artists and writers evident in the Surrealists' many publications.