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- David Octavius Hill
- Edinburgh Old and New
- NG 1964
- On Display
- Scottish Art
- David Octavius Hill
- The First General Assembly of The Free Church of Scotland, Signing the Act of Separation and Deed of Demission at Tanfield, Edinburgh 23 May, 1843
- D 3384
- Scottish Art
- David Octavius Hill
- A View on the Doon with the Burns Monument
- D 4282
- Scottish Art
- David Octavius Hill
- On the Quay at Leith
- NG 210
- Scottish Art
- David Octavius Hill
- Alexander Nasmyth and his family
- 1829
- PG 2729 A
- Scottish Art
- David Octavius Hill
- George Street, Looking towards the Church of St. Andrew and St George and the Melville Monument in St. Andrew Square, Edinburgh
- 1840s
- PGP HA 5397
- Scottish Art
- David Octavius Hill
- Linlithgow from the railway station, with the Town Hall, St Michael's Church and the Palace in the centre background
- about 1843
- PGP EPS 84
- Scottish Art
- David Octavius Hill
- David Octavius Hill with his daughter, Charlotte
- Probably 1843
- PGP EPS 90
- Scottish Art
- David Octavius Hill
- Samuel Aitken. Bookseller and friend of Thomas Carlyle
- about 1843
- PGP HA 25
- Scottish Art
- David Octavius Hill
- Captain Robert Barclay-Allardyce, 1779 - 1854. Celebrated pedestrian
- 1843 - 1847
- PGP HA 50
- Scottish Art
David Octavius Hill (Scottish, 1802 - 1870)
A painter and a lithographer by training, David Octavius Hill is best remembered for the beauty of the calotypes he and Robert Adamson produced together. Hill was a sociable and kind-hearted man who did much to support the arts in Scotland and between 1830 and 1836 he was the unpaid Secretary of the newly established Royal Scottish Academy. After Adamson's death, Hill's attempt to start a new partnership with the photographer Alexander MacGlashan around 1860 failed. Hill is to this day revered as one of the first in the trade who transformed photography into an art form.
