The title of this work translates as 'Score for Siberian Symphony'. This refers to the artist's first performance or 'action' in February 1963, called 'Siberian Symphony'. The central part of the performance was a piano composition by Beuys, as the word 'score' indicates. This was blended into a piece of music by the early twentieth-century, avant-garde composer Erik Satie. The music was supported by props, including lumps of clay connected by wire and a blackboard with a dead hare hung on it. The simple style of this collage is reminiscent of the artist's early list-style drawings, which use words for visual effect and structure.