Untitled, 1975-1980
© Courtesy of George and Betty Woodman

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Untitled, 1975-1980 1975-1980
  • Artist Rooms
Woodman explores contrasting surfaces, patterns and lines in this photograph, making it one of the more abstract of her works in the ARTIST ROOMS Collection. The light caught on the mirror fragment has a spectral, supernatural quality, suggesting the influence of Surrealism. Woodman’s photographs explore issues of gender and self, looking at the representation of the body in relation to its surroundings. She usually puts herself in the frame, although these are not conventional self-portraits, since she is either partially hidden or concealed by slow exposures that blur her moving figure into a ghostly presence. This underlying fragility is emphasised by the small and intimate format of the photographs.

Glossary Open

Abstract art

Art in which there is no attempt to represent anything existing in the world, particularly used of the 20th century onwards. ‘Abstraction’ refers to the process of making images that may in part derive from the visible world but which are reduced to basic formal elements.

Exposure

The length of time a photosensitive surface is exposed to light. The term ‘multiple exposure’ is used to describe the act of recording more than one image on a single sheet or frame of film.

Surrealism

A literary and artistic movement founded by the poet André Breton in 1924. Many of the associated artists, such as Max Ernst and Jean Arp, had previously been involved with Dadaism. The movement sought to challenge conventions through the exploration of the subconscious mind, invoking the power of dreams and elements of chance. Cultural hierarchies were challenged by the combination of diverse elements in collages and sculptural assemblages. The movement is also notable for the collaborations between artists and writers evident in the Surrealists' many publications.

Abstract art, Exposure, Surrealism

Details

  • Acc. No. AR00358
  • Medium Photograph, gelatine silver print on paper
  • Size 15.60 x 15.60 cm (paper 25.20 x 20.30 cm) (framed: 45.80 x 40.20 x 2.00 cm)
  • Credit ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008