Turner combines the translucency of pure watercolour with opaque body-colour to convey the dazzling fusion of light and mountain mist enveloping the scene. Architecture and mountains appear to emerge from and dissolve back into the atmospheric vapour. It is possible that Turner worked on this during or just after his return from his second visit to Switzerland in 1836. He was accompanied on the trip by his friend and patron Hugh Munro of Novar, a young Scottish landowner and amateur painter.
Joseph Mallord William Turner (English, 1775 - 1851)
Turner transformed the art of landscape painting in Britain. From detailed topographical studies to expansive, atmospheric vistas his works celebrate the diversity and emotive power of nature. He was born in Covent Garden, the son of a barber, and exhibited his earliest sketches in his father's shop before studying at the Royal Academy Schools. Turner became the youngest ever full member of the Royal Academy in 1802. His experimental use of watercolour and oils achieved stunning effects, attracting contemporary criticism and praise. Turner's admiration of past masters, above all Claude Lorraine, and the numerous sketches made on many tours in Britain and abroad, provided the basis for his 'sublime' land and seascapes.
