This painting was acquired as by Titian and subsequently catalogued under his name. The paint surface is now too seriously damaged for any reliable consideration of the picture from a stylistic viewpoint, but there is nothing to suggest it is by any sixteenth-century Venetian artist in Titian's immediate circle, while the technique raises the serious possibility that it is a seventeenth century pastiche.
Titian (Tiziano Vecellio) (Italian (Venetian), about 1485/90 - 1576)
Titian made a greater impact on European painting than any other artist from Venice. His use of colour and development of a 'painterly' style of lively brush work has influenced generations of artists. He excelled in all types of painting, including altarpieces, religious subjects for private devotion, themes from classical mythology, allegorical works and portraits. The bright clear colours and smooth appearance of his early paintings are quite different from the more dramatic tonal contrasts and broken brushwork of his later work. He received public and private commissions from within Venice and from eminent patrons elsewhere. Titian painted many of his most celebrated pictures for King Philip II of Spain.
