Pasmore's art of the 1930s and 1940s was ardently figurative but in 1948 he suddenly began painting abstract works. This work is one of a series of about six paintings made between 1950 and 1952 that Pasmore based on a spiral motif. Composed of organic swirls suggesting natural forms, Pasmore described them as landscapes of the mind: ?What I have done is not the result of a process of abstraction in front of nature, but a method of construction emanating from within?. He made a vast ceramic mural of similar design for the 1951 Festival of Britain Exhibition, held in London.
Victor Pasmore (English, 1908 - 1998)
Although largely self-taught as an artist, Pasmore was a key figure in British art. He exhibited with the London Group from 1931 and it was around then that he first flirted with abstraction. Yet he swiftly destroyed his early experimentations and instead gained recognition as a naturalistic painter. However, in 1948 his work underwent a dramatic shift towards abstraction and in 1951 he controversially declared that easel painting was dead. Pasmore helped found the Euston Road School in 1937 and his passion for teaching continued with posts at Camberwell School of Arts and Crafts, Central School and King?s College, University of Durham. He continued to experiment artistically throughout his career, returning to a more figurative mode of painting in the 1990s.