The 1960s brought a new approach to sculpture for Eduardo Paolozzi. Abandoning the rough and coarse appearance of the surfaces of his earlier bronzes, he started to use prefabricated parts made from aluminium. Here, Paolozzi draws on the modernist tradition of ?ready-made? parts in sculpture as well as on the ideal of the artist as an engineer: He distances himself from the notion of the artist's personality being expressed by his work.
Eduardo Paolozzi (Scottish, 1924 - 2005)
Of Italian descent, Paolozzi was born in Leith near Edinburgh. He studied in Edinburgh and London and spent two years in Paris from 1947, where he produced enigmatic, bronze sculptures reminiscent of those by Giacometti. During the same period he made a series of dada and surrealist-inspired collages in which magazine advertisements, cartoons and machine parts are combined, thus anticipating the concerns of Pop Art. Alongside teaching at various art schools he developed his printmaking and sculpture. Paolozzi was particularly interested in the mass media and in science and technology.