Influenced by Alberto Giacometti and surrealist sculpture from the late 1920s and early 1930s, Paolozzi here experiments with shape and volume. Two similar forms pierced by the supporting rod, face each other. While alike in shape, they oppose each other in alignment and direction, leaving room for interpretations of a balanced dialogue as well as a potential conflict.
Eduardo Paolozzi (Scottish, 1924 - 2005)
Of Italian descent, Paolozzi was born in Leith near Edinburgh. He studied in Edinburgh and London and spent two years in Paris from 1947, where he produced enigmatic, bronze sculptures reminiscent of those by Giacometti. During the same period he made a series of dada and surrealist-inspired collages in which magazine advertisements, cartoons and machine parts are combined, thus anticipating the concerns of Pop Art. Alongside teaching at various art schools he developed his printmaking and sculpture. Paolozzi was particularly interested in the mass media and in science and technology.