This photograph depicts two boys from the Shembe Nazareth Baptist community in South Africa, a denomination that blends Christian and Zulu traditions. Its young male adherents ? who refer to themselves as the `Iscotch? ? adopt special costumes based on the kilt for religious ceremonies, often performed in the open air. The influence is drawn from Scottish regiments present in Natal in the late nineteenth century. Mthethwa?s concerns lie less with religion and more with issues of adolescent identity and rites of passage. His work adds an African dimension to a well-established European tradition of depictions of young people at transitional moments in their lives.
Zwelethu Mthethwa (South African, born 1960)
Mthethwa was born in Durban, South Africa, during the apartheid regime. Despite laws prohibiting black students from studying at the University of Cape Town, Mthethwa gained a place on its photography course under special ministerial consent. In 1987 he won a Fulbright Scholarship allowing him to study Imagining Arts at the Rochester Institute of Technology, New York. Since the fall of the apartheid regime in 1994, photography in South Africa has exploded and Mthethwa has been a central figure in its development. His photographs are characterised by their large, often strictly composed format, balanced by an incredible sense of colour - a feature which is very important to the artist. The subject matter is focussed on the economic and political reality of contemporary South Africa.