This is Fleming?s most celebrated work, made at the age of twenty-five. It depicts Christ?s agony on the Mount of Olives in a contemporary setting, in the manner of Stanley Spencer. Portraying Christ in a modern dress raised some eyebrows when the print was first displayed. Having recently returned from a travelling scholarship in France and Spain, Fleming took some of the elements in the background from studies made on his trip. These are combined with Glasgow scenery, such as the rock formations, which are inspired by the fossil grove in Victoria Park in the west of the city. The figure of Christ also appears to be a self-portrait.
Ian Fleming (Scottish, 1906 - 1994)
Fleming was born in Glasgow and studied at the Glasgow School of Art. He began printmaking at art school, and Glasgow Art Gallery bought two of his prints while he was still a student. In 1928, Fleming made his first engraving while working with Charles Murray, and he soon became a highly-skilled engraver. While lecturing at the Art School from 1931, Fleming met William Wilson, the Edinburgh-based printmaker and stained glass artist. They became friends, and their work was mutually influential. He also taught Robert Colquhoun and Robert MacBryde during this time and later became Head of Gray?s School of Art in Aberdeen. Fleming produced detailed etchings and engravings of Glasgow, the Scottish Highlands and the Continent.