? The Estate of Elisabeth Frink, Beaux Arts London
Bird
1959
The experience of growing up during the war years strongly affected Frink?s sculpture. This work is one of a number of bronzes, executed in the 1950s, in which animal forms are given a menacing, military appearance. Although only thirty-eight centimetres high, this bird appears simultaneously aggressive, powerful and like a damaged but defiant survivor of a nuclear attack. Typical of the sculptor?s early work, the distressed, textured surface and spindly, striding legs of the bird recall the work of Giacometti, who Frink cited as a great influence.
