In 1984, on a visit to New York, Davie passed by a gallery specialising in Indian art and was struck by a Jain image on display in the window. He had not previously seen such work but was immediately impressed. He acquired a book on Jain cosmology and subsequently incorporated some of the motifs into his paintings, including this work. Some of the quotations in the present work are very direct. There are five works in the 'Meditations on Jain Cosmology' series, all of them oil paintings, and all of them dating from autumn 1984.
Alan Davie (Scottish, born 1920)
Davie was born in Grangemouth, near Edinburgh and studied at Edinburgh College of Art. In 1948 he saw the work of the American Abstract Expressionists and was impressed by their intensity and freedom. Davie abandoned traditional methods of composition and subject matter and sought to free his art from premeditated decision-making. This approach owes much to the artist's interest in Zen Buddhism and there is also an analogy with jazz - Davie was a jazz saxophonist early on in his career. In the later 1950s and 1960s Davie's brushwork became more controlled and the imagery more legible. Mysterious symbols began to appear, found in sources as varied as American Indian pottery, maps, ancient rock-carvings and Aboriginal art.