Davie began collecting non-European art when he was in his twenties, buying Indian art from junk shops in Edinburgh. He has a large collection of African, north-American Indian and Oceanic art. In this painting, the horse or bull with horns derives from American Indian paintings, and the crescent moon, rainbow and feather device also comes from American Indian art.
Alan Davie (Scottish, born 1920)
Davie was born in Grangemouth, near Edinburgh and studied at Edinburgh College of Art. In 1948 he saw the work of the American Abstract Expressionists and was impressed by their intensity and freedom. Davie abandoned traditional methods of composition and subject matter and sought to free his art from premeditated decision-making. This approach owes much to the artist's interest in Zen Buddhism and there is also an analogy with jazz - Davie was a jazz saxophonist early on in his career. In the later 1950s and 1960s Davie's brushwork became more controlled and the imagery more legible. Mysterious symbols began to appear, found in sources as varied as American Indian pottery, maps, ancient rock-carvings and Aboriginal art.